Charlotte Antony
In swimmingpools, public parcs, the railway system, in clubculture, the fitnesscentre an in the phenomen of statistic argumentation, Charlotte Antony can appreciate the cultural progress, which interests and calms her, but also harasses her at the same time. These urban appropriations give her the natural behaviour, which she needs, in a pleasing, controllable sense. She adapts technically functional sufaces and architectures in her drawings, objects and installations to open a gateway to her intuitive creating which shows an inner logic while trying to deprive from definite interpretations.
Foto: Fotocredits: Gustav Franz, exhibitionview of “Becken” & 2 graphitedrawings “speichern I+II” a&o Kunsthalle Leipzig 2019